
Robert A. M. Stern: HDC’s 2010 Landmarks Lion
Architect Robert A. M. Stern has tirelessly helped save historic
architecture in every New York borough, during four decades of running
his own Manhattan firm, writing definitive books and leading Ivy
League graduate programs. His scholarly volumes about the city’s
architectural evolution, his training for preservationists, his
advocacy campaigns and building projects have benefited neighborhoods
from the leafiest Bronx suburbs to the stateliest Staten Island
villa rows and most avant-garde airline terminals. On October 27,
at the Four Seasons restaurant in midtown, the Historic Districts
Council will celebrate him as the 2010 Landmarks Lion.
A master of multitasking, Mr. Stern has served as Yale’s
architecture school dean since 1998 and before that ran Columbia’s
preservation program. “My educational children are everywhere,”
he chuckles. His office has meanwhile kept 220 staffers busy with
projects across the U.S. and as far afield as Cyprus and Korea,
in building types as dignified as courthouses and as whimsical as
seaside follies. Out of respect for existing contexts as varied
as Columbia’s campus and the Bronx gardens of Wave Hill, the
firm has added neighborly structures based on diverse precedents
like Gothic chapels, Art Deco hotels and Arts and Crafts cottages.
In just the past few years, their high-profile New York projects
have ranged from sympathetic renovations for the 1970s Kaufman Center
performing arts complex on West 67th Street to the rebirth of an
abandoned 1880s brick public school on Patchen Avenue in Bedford-Stuyvesant.
Mr. Stern has also fought to save other architects’ innovations
in architecture, including modernist works by the likes of Skidmore,
Owings & Merrill and Harrison & Abramovitz and Edward Durell
Stone’s 1960s 2 Columbus Circle. The Stern practice has spun
off countless offices, too; that is, his students and ex-staffers
have gone on to become high profile architects, preservationists,
designers and scholars in their own right, including bold-face names
like Peter Pennoyer and Andrés Duany.
In his spare time, Mr. Stern managed to create a popular TV series,
“Pride of Place: Building the American Dream,” and to
co-write hefty and definitive books about New York’s architecture
spanning from the end of the Civil War to the 21st century. His
volumes explain how evolving fashions in urban planning and design
have sculpted streetscapes from the Victorian boathouses on stilts
of the Staten Island coast to the Corbusian cruciform apartment
blocks of Elmhurst. The books also delve into lost landmarks, like
Harlem’s little-known 1880s Opera House on 125th Street and
the still-lamented Penn Station. Mr. Stern has found time as well
to write forewords for other scholars’ recent monographs about
New York powerhouse architects, ranging from inventive early 20th
century traditionalists like Grosvenor Atterbury and Warren &
Wetmore to the Kentucky-born modernist Paul Rudolph.
Mr. Stern, by designing so nimbly and writing so prolifically,
has broadened countless minds. One major goal for his new construction,
he says, is to “help people reappraise what’s around
them. I think of myself as an architect responsible to the past,
present and future.” As for his publications, he adds, “I
specialize in underappreciated architects, traditionalists and modernists
alike.”
A lifelong New Yorker, he was born in Manhattan and grew up at
the northern edge of Flatbush, while often visiting midtown to admire
the clean-lined, then-new slabs of Lever House and the United Nations.
His college and architecture school mentors ran the gamut from modernists
(Rudolph) to postmodernists (Robert Venturi, Denise Scott Brown),
traditionalists (Vincent Scully) and chameleons (Philip Johnson).
In the 1970s, after briefly working for Richard Meier, he founded
his own firm. Mr. Stern now divides his time between an apartment
in one of his own stone-trimmed brick towers on the Upper East Side
and a Victorian duplex loft in New Haven. He also spends time in
the West Village visiting his son Nicholas, who runs a boutique
construction management company called Stern Projects.
Robert Stern is currently working on a book about the firm’s
campus projects, scattered from Harvard to Rice University to Pomona
and in styles as varied as Georgian and Mediterranean Revival. He
is also writing a survey of planned suburbs around the world, built
between the 18th century and World War II. New York’s contributions
to the genre, including Forest Hills and Prospect Park South, will
of course be covered. “There’s an incredibly elaborate
mosaic around the city, and not just generic sprawl, that most people
aren’t aware of,” he says.
The HDC has the rare privilege tonight of honoring one of the most
erudite, influential and passionate Lions in the two-decade history
of this award.
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